§¶§в§С§Я§и§е§Щ§г§Ь§Ъ§Ы §б§Ъ§г§С§д§Ц§Э§о, §Э§Ъ§д§Ц§в§С§д§е§в§Я§н§Ы §Ь§в§Ъ§д§Ъ§Ь, §п§г§г§Ц§Ъ§г§д; §С§У§д§а§в §Х§У§е§з §Х§Ц§г§с§д§Ь§а§У §в§а§Ю§С§Я§а§У.
§¶§Ъ§Э§Ъ§б§б §і§а§Э§Э§Ц§в§г (§ж§в. Philippe Sollers; §Я§С§г§д§а§с§л§Ц§Ц §Ъ§Ю§с §¶§Ъ§Э§Ъ§б§б §Ё§е§С§Ы§а) ЎЄ §ж§в§С§Я§и§е§Щ§г§Ь§Ъ§Ы §б§Ъ§г§С§д§Ц§Э§о, §Э§Ъ§д§Ц§в§С§д§е§в§Я§н§Ы §Ь§в§Ъ§д§Ъ§Ь, §п§г§г§Ц§Ъ§г§д; §С§У§д§а§в §Х§У§е§з §Х§Ц§г§с§д§Ь§а§У §в§а§Ю§С§Я§а§У.
§і§а§Э§Э§Ц§в§г §в§а§Х§Ъ§Э§г§с §У 1936 §Ф§а§Х§е §У §ў§а§в§Х§а, §У §г§Ц§Ю§о§Ц §г§а§г§д§а§с§д§Ц§Э§о§Я§а§Ф§а §б§в§а§Ю§н§к§Э§Ц§Я§Я§Ъ§Ь§С, §к§Ц§г§д§Я§С§Х§и§С§д§Ъ §Э§Ц§д §Т§н§Э §а§д§Х§С§Я §У §к§Ь§а§Э§е §Ъ§Ц§Щ§е§Ъ§д§а§У §У §Ј§Ц§в§г§С§Э§Ц, §а§д§Ь§е§Х§С §Ф§а§Х §г§б§е§г§д§с §Ц§Ф§а §Ъ§г§Ь§Э§р§й§Ъ§Э§Ъ §Щ§С §Я§Ц§Х§Ъ§г§и§Ъ§б§Э§Ъ§Я§Ъ§в§а§У§С§Я§Я§а§г§д§о (§д§С§Ы§Ь§а§Ю §й§Ъ§д§С§Э §Щ§С§б§в§Ц§д§Я§а§Ф§а §Х§Э§с §е§й§Ц§Я§Ъ§Ь§а§У §§а§д§в§Ц§С§Ю§а§Я§С §Ъ §д. §б.).
§¦§Ф§а §б§в§Ъ§з§а§Х §У §Э§Ъ§д§Ц§в§С§д§е§в§е §б§в§Ъ§У§Ц§д§г§д§У§а§У§С§Э§Ъ §І§а§Э§С§Я §ў§С§в§д §Ъ §Ї§С§д§С§Э§Ъ §і§С§в§в§а§д. §±§Ц§в§У§н§Ы §в§а§Ю§С§Я §і§а§Э§Э§Ц§в§г§С §і§д§в§С§Я§Я§а§Ц §а§Х§Ъ§Я§а§й§Ц§г§д§У§а (Une curieuse solitude, 1958) §Т§н§Э §У§г§д§в§Ц§й§Ц§Я §Э§Ц§г§д§Я§н§Ю§Ъ §а§д§Щ§н§У§С§Ю§Ъ §Ь§С§Ь §г§б§в§С§У§С (§¶. §®§а§в§Ъ§С§Ь), §д§С§Ь §Ъ §г§Э§Ц§У§С (§§е§Ъ §Ў§в§С§Ф§а§Я), §а§Х§Я§С§Ь§а §У§Ц§Э§Ъ§Ь§С§с §п§б§а§з§С §У §Ш§Ъ§Щ§Я§Ъ §і§а§Э§Э§Ц§в§г§С §Я§С§й§С§Э§С§г§о §У 1960 §Ф§а§Х§е, §Ь§а§Ф§Х§С §а§Я §б§в§Ъ§г§д§е§б§Ъ§Э §Ь §Ъ§Щ§Х§С§Я§Ъ§р §Щ§Я§С§Ю§Ц§Я§Ъ§д§а§Ф§а §С§Я§д§Ъ§Ь§а§Я§ж§а§в§Ю§Ъ§г§д§г§Ь§а§Ф§а §Ш§е§в§Я§С§Э§С §ґ§Ц§Э§о §¬§Ц§Э§о. §Ј 1967 §і§а§Э§Э§Ц§в§г §Ш§Ц§Я§Ъ§Э§г§с §Я§С §ж§Ъ§Э§а§г§а§ж§Ц-§г§Ц§Ю§Ъ§а§д§Ъ§Ь§Ц §Т§а§Э§Ф§С§в§Ь§Ц §А§Э§Ъ§Ъ §¬§в§Ъ§г§д§Ц§У§а§Ы.
§Ј 1973 §Ф§а§Х§е §і§а§Э§Э§Ц§в§г §У §б§а§г§Э§Ц§Х§Я§Ъ§Ы §в§С§Щ §г§а§й§Ъ§Я§Ъ§Э §п§Ь§г§б§Ц§в§Ъ§Ю§Ц§Я§д§С§Э§о§Я§н§Ы §д§Ц§Ь§г§д §в§а§Ю§С§Я §І§С§Ы (Paradis), §Я§С§б§Ъ§г§С§Я§Я§н§Ы §У §У§Ъ§Х§Ц §а§Х§Я§а§Ы §Ф§Ъ§Ф§С§Я§д§г§Ь§а§Ы §ж§в§С§Щ§н §Т§Ц§Щ §Щ§Я§С§Ь§а§У §б§в§Ц§б§Ъ§Я§С§Я§Ъ§с; §й§д§а §Ш§Ц §Х§а §Ш§е§в§Я§С§Э§С §ґ§Ц§Э§о §¬§Ц§Э§о, §д§а §а§Я §б§в§а§г§е§л§Ц§г§д§У§а§У§С§Э §Х§а 1983 §Ф§а§Х§С (§Я§С §г§Ю§Ц§Я§е §Ц§Ю§е §б§в§Ъ§к§Ц§Э §Ш§е§в§Я§С§Э §ў§Ц§г§Ь§а§Я§Ц§й§Я§а§г§д§о). §Ј §д§а§Ю §Ш§Ц §Ф§а§Х§е §і§а§Э§Э§Ц§в§г §г§а§У§Ц§в§к§С§Ц§д §а§й§Ц§в§Ц§Х§Я§а§Ы §Ъ§Х§Ц§а§Э§а§Ф§Ъ§й§Ц§г§Ь§Ъ§Ы §Щ§Ъ§Ф§Щ§С§Ф §б§е§Т§Э§Ъ§Ь§е§Ц§д §в§а§Ю§С§Я §Ё§Ц§Я§л§Ъ§Я§н (Femmes), §з§а§д§с §Ъ §Я§С§б§Ъ§г§С§Я§Я§н§Ы §У §д§в§С§Х§Ъ§и§Ъ§а§Я§Я§а§Ы §Ю§С§Я§Ц§в§Ц, §Я§а §Ъ§Ю§Ц§У§к§Ъ§Ы §г§Ь§С§Я§Х§С§Э§о§Я§н§Ы §е§г§б§Ц§з, §У§н§Щ§У§С§Я§Я§н§Ы §б§а§в§д§в§Ц§д§С§Ю§Ъ §У§Ъ§Х§Я§н§з §ж§в§С§Я§и§е§Щ§г§Ь§Ъ§з §Ъ§Я§д§Ц§Э§Э§Ц§Ь§д§е§С§Э§а§У §Т§н§У§к§Ъ§з §г§б§а§Х§У§Ъ§Ш§Я§Ъ§Ь§а§У §і§а§Э§Э§Ц§в§г§С. §і§Э§Ц§Х§е§р§л§Ъ§Ы §г§Ь§С§Я§Х§С§Э §б§в§а§Ъ§г§з§а§Х§Ъ§д §Х§Ц§г§с§д§о §Э§Ц§д §г§б§е§г§д§с, §Ь§а§Ф§Х§С §б§а§с§У§Э§с§Ц§д§г§с §в§а§Ю§С§Я §ґ§С§Ы§Я§С (Le Secret, 1993), §Ф§Х§Ц §і§а§Э§Э§Ц§в§г §У§н§г§д§е§б§С§Ц§д §У §б§а§Х§Х§Ц§в§Ш§Ь§е §в§Ъ§Ю§г§Ь§а§Ф§а §б§С§б§н, §Ь§а§д§а§в§а§Ю§е §б§а§й§д§Ъ§д§Ц§Э§о§Я§а §б§в§Ц§б§а§Х§Я§а§г§Ъ§д §г§У§а§р §Ь§Я§Ъ§Ф§е.
§Ј §б§а§г§Э§Ц§Х§Я§Ъ§Ц §Ф§а§Х§н §е §і§а§Э§Э§Ц§в§г§С §У§н§к§Э§Ъ §в§а§Ю§С§Я§н §і§д§е§Х§Ъ§с (Studio, 1997) , §®§С§Я§Ъ§с §г§д§в§С§г§д§Ъ (Passion fixe, 2000) , §©§У§Ц§Щ§Х§С §Э§р§Т§а§У§Я§Ъ§Ь§а§У (LЎЇEtoile des Amants, 2002), "Une vie divine" (2006).
§і§а§Э§Э§Ц§в§г §Ъ§Щ§У§Ц§г§д§Ц§Я §Ъ §Ь§С§Ь §п§г§г§Ц§Ъ§г§д, §С§У§д§а§в §д§С§Ь§Ъ§з §с§в§Ь§Ъ§з §в§С§Т§а§д §б§а §д§Ц§а§в§Ъ§Ъ §Ъ §Ъ§г§д§а§в§Ъ§Ъ §Ь§е§Э§о§д§е§в§н, §Ь§С§Ь §ґ§Ц§а§в§Ъ§с §Ъ§г§Ь§Э§р§й§Ц§Я§Ъ§Ы (ThЁ¦orie des Exceptions, 1985), §і§С§Х §б§в§а§д§Ъ§У §Ј§н§г§к§Ц§Ф§а §г§е§л§Ц§г§д§У§С (Sade contre lЎЇEtre Supreme, 1989), §Є§Ю§б§в§а§У§Ъ§Щ§С§и§Ъ§Ъ (Improvisations, 1991), §а§й§Ц§в§Ь §а §Ґ§а§Ю§Ъ§Я§Ъ§Ь§Ц §Ј§Ъ§У§С§Я §Ґ§Ц§Я§а§Я§Ц §¬§С§У§С§Э§Ц§в §Ъ§Щ §§е§У§в§С (Le Cavalier du Louvre, 1995), §¬§С§Щ§С§Я§а§У§С §Ј§Ц§Э§Ъ§Ь§а§Э§Ц§б§Я§н§Ы (Casanova lЎЇAdmirable, 1998) , §ґ§С§Ъ§Я§г§д§У§Ц§Я§Я§н§Ы §®§а§и§С§в§д (Mysterieux Mozart, 2001), §±§а§з§У§С§Э§С §Т§Ц§г§Ь§а§Я§Ц§й§Я§а§г§д§Ъ (Eloge de lЎЇInfini, 2001), §і§У§а§Т§а§Х§С XVIII §У§Ц§Ь§С (LibertЁ¦ du XVIIIЁЁme, 2002), §°§Щ§С§в§Ц§Я§Ъ§с (Illuminations, 2002), §§р§Т§а§У§Я§н§Ы §г§Э§а§У§С§в§о §Ј§Ц§Я§Ц§и§Ъ§Ъ (Dictionnaire amoureux de Venise, 2004) §Ъ §Х§в.